Small enough to carry around and costing not much more than a top-of-the-line consumer camcorder, the XL1S produces such high-quality results that it is sure to be the top choice for many independent filmmakers who demand full features and controls. Like its predecessor, the XL1, this camera uses three separate 270,000 pixel CCDs (one for each primary color) for the best picture quality. The XL1S records digital audio, with two channels of 16 bit/48 KHz sound or four channels of 12 bit/32 KHz sound. The body is based on a magnesium-alloy frame for maximum durability. It ships with a 16x optical zoom lens with optical image stabilization, but is also compatible with other XL camcorder lenses. With an optional adapter, you can use Canon EF (EOS) still-camera lenses--some of which also feature optical image stabilization.
The electronics of the XL1S have many advanced features, including a number of programmed AE modes, as well as both shutter and aperture priority modes. There are two different auto modes, one of which allows you to adjust any setting manually, if you want, and the other, which adjusts every setting automatically and lets you adjust nothing. A spotlight mode automatically compensates for difficulties when shooting a subject bathed in a spotlight. The computer-shooting mode gets rid of monitor flicker that happens when shooting a computer screen. There are also three different shooting modes: normal movie, digital photo, and frame movie. Normal movie mode is for any time you want to shoot video footage. Digital-photo mode records a still image for six seconds on the MiniDV tape and also captures any accompanying audio for a commentary track. The frame movie mode records 30 noninterlaced still images per second, instead of capturing 60 fps interlaced images. This mode isnt intended to be used for shooting video (playback may not look completely smooth). Rather, frame movie mode should be used as a burst, or continuous, shooting mode, like youd find on a still camera.
The XL1S offers many new and updated features over the XL1. There is a 16:9 shooting mode where electronic lines draw are displayed through the viewfinder so you can compose your shots flexibly for later conversion to HDTV, where 16:9 is the standard. SMPTE color bars help establish a proper color reference for shooting and editing. Interval recording lets you shoot time-elapsed motion video with intervals from 30 seconds to 10 minutes. Zebra patterns help you determine overexposed areas in your shot so you can adjust the aperture and shutter accordingly.
Digital Video Format and IEEE 1394
The XL1S is a consummate professional creation tool that supports the established industry standards, MiniDV and IEEE 1394. Support of these standards make the XL1S a flexible video creation tool that interoperates with standard DV equipment and computer editing systems as accorded by engineering, scientific and broadcast communities.
DV Format Technology and Its Advantages
The MiniDV format supported by the XL1S delivers more than 500 lines of horizontal resolution -- a 25% improvement over analog systems. The DV format allows for near lossless transfer within digital editing environments for faster creation, increased productivity and improved production quality of final prints.
IEEE 1394 (DV Terminal)
The XL1S comes standard with a DV terminal that conforms to IEEE 1394 for digital transfer of video and sound, in addition to regular video and audio outputs. The IEEE 1394 (also known as FireWire®) standard allows editing, copying and recording of digital video over a single cable. This transfer format affords improved image and sound quality and is virtually free from generation loss.
The 3 CCD System
The XL1S maximizes the capability of the DV format by using a 3 CCD (charge-coupled device) system with a separate CCD for each primary color (red, green, blue). A beam-splitting prism separates light passing through the lens into individual color components and each is sent to its own CCD. Compared to a single CCD, the 3 CCD system achieves outstanding detail with highly accurate color reproduction suitable for the demands of high-end video production - wide dynamic range, low color noise, high-contrast detail, natural color resolution and low-aliasing. The 3 CCD system also makes advanced Pixel Shift (for increased image quality) and Low Light Recording (for increased flexibility) possible.
The three CCD image sensors in the XL1S, each with 270,000 pixels, were specifically designed to capture as much image detail as possible and for shooting under extremely low light conditions. The size of each pixel is 72 square microns - 150% larger than the pixel-size on comparable DV models. The result is an approximate 4 dB improvement in sensitivity. This improved sensitivity means that each CCD can capture more information at all light ranges. In super low light, the XL1S still captures crisp and clear digital data. Under extremely bright conditions, the Pixel Shift capabilities of the XL1S greatly reduces vertical white streaks and smears, making it a consummate field recording device for all conditions.
Because human eyes see green more clearly and readily, the green component of a video signal contains 60% of the picture detail whereas the red and blue components together comprise the remaining 40%. With the advanced Pixel Shift on the XL1S, the green CCD is physically shifted the equivalent distance of 1/2 pixel horizontally from the red and blue CCD, and the green signal is electronically shifted 1/2 pixel vertically. This shifting of the green CCD increases the sampling points, resulting in a system that is comparable to 410,000 pixel CCD systems in terms of resolution. With a larger pixel size and the process of Pixel Shift, the Canon XL1S gives wider dynamic range, better low light recording, reduced vertical smears, and high quality still images without sacrificing the highest resolution DV available.
Audio and Video Inputs and Outputs
The XL1S offers a plethora of means by which to get audio and video in and out of the camcorder. The XL1S is designed to handle two types of analog video input and output: using audio/video cables (composite) or S-video. There are four audio inputs and outputs. All connections are on the camera body.
Whats in the Box
XL1S Camera
Zoom Lens 16x XL 5.5-88 mm IS
BP-930 Battery Pack
CA-910 Compact Power Adapter
DC-900 DC Coupler
SS-1000 Shoulder Strap
WL-D32000 Wireless Controller
SP-100 Shoulder Pad
S-150 S-video Cable
STV-150 Stereo Video Cable
Lens Hood
Review for
Canon XL1S MiniDV Digital Camcorder
No Xl2 yet, maybe never... (
User Rating :
30 /50 )
Whats with bonehead "and now, only as Canon can do it better they are coming out with Canon XL2 in Feb 2004"...? people are just making stuff up about the fictional XL2. The XL1 and XL1s are both competent cameras, and will serve the purposes of most videographers wanting to shoot using the Mini DV
Pros and Cons (
User Rating :
40 /50 )
Unfortunatly when shopping for a prosumer camera in this price range weighing the pros and cons is definitatly tough. The canon XL1s is and Excellent camera that captures the ENG style most pro cameras at this range misses. However before getting all hot and bothered over that the camera has trouble
The truth is... (
User Rating :
40 /50 )
Whats reviewer: "a customer" & "Tyrone Brumwell"...thinking! There is a Canon XL2 comming out next month in August. I contacted Canon USA and verified it. You can do the same at 1-800-OkCanon. SAVE your money for this new beauty ($4,000) it will be worth it! Read the specs at canons website. The Xl1
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This bag is very sturdy and padded. The description is pretty scanty, but I took a chance and bought it. Glad I did. The bag holds my JVC GR-DVL805U mini DV camcorder, the strap, battery, AC adaptor cord, 4 tapes, the remote, and all connector cables. Its kind of a tight squeeze with all those acces..
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I started using Digital8 Camcorders when they first came out. I had the Sony TRV-820 which had a built in Printer. It was a great camera, albeit bulky. The printer feature got old real quick, though it was cool. Early this year I decided to upgrade to MiniDV until I saw that Sony was releasing this ..
